Arab Strap’s new album Half-Told Tales, the group’s ninth, will arrive almost three decades to the day since their first single was released. “We’re t
Read More Arab Strap’s new album Half-Told Tales, the group’s ninth, will arrive almost three decades to the day since their first single was released. “We’re thirty years old this year,” says the duo, “So we decided to celebrate by doing what we enjoy most: by making new music.”
The band have never sounded more relevant on the state-of-affairs lead single ‘You You You’, a track that bubbles to life sounding like some long-lost killer Italo disco record – with Moffat’s vocal refrain of the song’s title creating one of the most outright melodically infectious songs the band have ever made – and thats before Malcolm Middleton’s punchy and spiralling guitar lines burst through it. The result is something that feels like an entirely new genre. “A sort of disco-metal incantation,” suggests Moffat. “With a message of future felicity and fellowship that – fingers crossed – might make you dance and giggle too.”
Lyrically, the song is emblematic of some of the themes on the album. “‘You You You’ is an attempt to remind ourselves, and hopefully others, that the world’s not full of awful people,” says Moffat. “That there are millions of us out there dealing with the same worries every day: from the rising costs of absolutely everything, our mental and physical health, the constant slaughter and tyranny in our newsfeeds, to playing an unwitting part in the military-industrial complex, and the endless warping of reality. It can often feel like a complete absence of human decency – it’s no wonder that despondency can feel like our default disposition.” However, while the song digs into these troubles and tumultuous times, it does so with a purpose. “It was designed as a kind of invocation,” says Moffat. “To bring forth the stubbornly elusive spirits of hope and solidarity.”
The push-pull dynamic that exists in such songs – where grooving, fluid beats nestle up against rip-roaring guitars – is reflective of the back and forth approach the band have during the songwriting process. “The excitement comes because me and Aidan like and hate different things,” says Middleton. “There are things in the record that individually we might not choose but that’s why I like this album so much, because its not the one I wanted to make. I dont think its what Aidan wanted to make either, its this bit in the middle. It might not be 100% what we want but its good for the band, and it works.”
Tour Dates
Mon 12 Oct 2026 - Whelans, Dublin IE
Tue 13 Oct 2026 - Band on the Wall, Manchester UK
Wed 14 Oct 2026 - Heaven, London UK
Thu 15 Oct 2026 - Howard Assembly Rooms, Leeds UK
Fri 16 Oct 2026 - Georgian Theatre, Stockton UK
Sat 17 Oct 2026 - Barrowland, Glasgow UK
Sun 22 Nov 2026 - MeetFactory, Prague CZ
Mon 23 Nov 2026 - a83, Budapest HU
Tue 24 Nov 2026 - Vintage Industrial Bar, Zagreb HR
Wed 25 Nov 2026 - Zappa Bazza, Belgrade RS
Thu 26 Nov 2026 - Control Club, Bucharest RO
Fri 27 Nov 2026 - Zorlu, Istanbul TR
Sat 28 Nov 2026 - Eightball Club, Thessaloniki GR
Sun 29 Nov 2026 - Gazarta Soundstage, Athens GR
Sun 13 Dec 2026 - Parma Barezzi Festival, Parma IT
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